Everything is more beautiful because we’re doomed. You will never be lovelier than you are right now. We will never be here again.

Chanel Haute Couture Fall/Winter 2014 Details.

“I was 17 when I wrote that,” she reminds me. “That’s the age you are when you think someone can actually take your boyfriend. Then you grow up and realise no one takes someone from you if they don’t want to leave.”
— Taylor talking about Better Than Revenge (x)

Palo Alto (director Gia Coppola)

I think this sequence perfectly captures the boredom a person feels, in their bedroom, where they don’t know what to do or where to go

Michael Pitt photographed by Matt Holyoak for Velour Magazine

The other big change on 1989 is that for the first time in years, there are no diss tracks dishing about Swift’s exes. A few of the songs are about her relationships and love life, but they’re mostly wistful and nostalgic, not finger-pointy or score-settling. “Different phases of your life have different levels of deep, traumatizing heartbreak,” Swift says. “And in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boycentric.

I have all these things that I want to say to her. Like how I can tell she’s a lonely person, even if other people can’t. Cause I know what it feels like to be lost and lonely and invisible.”

The Double (2013) dir. Richard Ayoade

*loses followers*
*loses friends*
*loses bobby pins and hair ties*
*loses internet connection*
*loses phone*
*loses life*
*gains weight*

“Funny how new facts pop up and make you doubt that there’s any goodness in life. Everyone pretends to be normal and be your friend, but underneath, everyone is living some other life you don’t know about…”

Palo Alto (2013)